Randi Nelson Yukon Prize icon 2025 Finalist

Artist Bio

Randi Nelson, a Secwépemc artist and fashion designer from St’uxwtéws First Nation based in Whitehorse, Yukon, is dedicated to preserving Indigenous materials of wealth through her designs. Blending traditional elements such as smoked hides, quills, shells, and caribou hair with contemporary fashion, she transforms these resources into powerful symbols of Indigenous beauty and resilience. Her designs have been showcased at prestigious events, including the Oscars, Junos, Emmys, and Cannes Film Festival. She has received awards like Best in Show at the Santa Fe Indian Market, and her work is collected worldwide, including in the Yukon Permanent Art Collection.

Artist Statement

Randi Nelson’s art bridges two worlds, merging traditional Indigenous materials with contemporary fashion to honor her Secwépemc culture. A member of St’uxwtéws First Nation, Randi combines European patterns and antique beads with Indigenous materials such as smoked hides, quills, shells, and caribou hair. Inspired by the changing seasons, Randi captures the textures and colors of the land, preserving their fleeting beauty in enduring, wearable art.

More than aesthetic, Randi’s work serves as cultural preservation. By using Indigenous materials of wealth, she transforms them into symbols of pride and resilience. These rare resources embody generations of knowledge and tradition, which Randi is committed to uplifting and honoring. Her pieces not only reflect her heritage but also connect Indigenous values with contemporary audiences, bridging past and present in a meaningful dialogue. Her runway collections and gallery exhibitions offer a tangible experience of Indigenous values, inviting audiences to engage with art that honors tradition while pushing fashion boundaries. In merging past and present, Randi’s work sparks dialogue about the resilience and significance of Indigenous artistry in today’s world.

Randi Nelson-Kwúlécwtn Collection - T.susúsu7t

Kwúlécwtn Collection - T.susúsu7t

Beads (2024, Beadwork)

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The intricate beadwork on this dress is inspired by a beaded shin wrap created by an unknown Secwépemc artist, which I had the privilege of visiting in the Royal BC Museum archives. Captivated by the concept of adorning the shin with such detailed beadwork, I recreated the geometric pattern to honor the original, giving it a feminine expression by placing the beadwork along the dress’s hem as a tribute to the traditional male shin wrap. Antique beads were carefully sourced to match the original colors and textures, ensuring authenticity in every detail. Small red crosses accent the zipper line, adding subtle interest and elongating the silhouette. Paired with fully beaded arm cuffs, matching earrings, and layers of Russian trade bead necklaces, this piece brings Secwépemc beadwork into modern fashion, celebrating Indigenous artistry and legacy.

Randi Nelson-Kwúlécwtn Collection-Estqw

Kwúlécwtn Collection - Estqw

Cedar (2024, Cedar Weaving)

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This piece honors the sustainable art of cedar weaving and marks my first experience with the material. Traveling to Haida Gwaii, I learned traditional techniques, stripping cedar trees by hand and weaving intricate patterns. Cedar’s versatility allows it to be shaped and molded, here framed by vibrant red fabric to highlight its rich texture. The look is completed with cedar accessories—a hat, cuffs, earrings, and belt— that echo the woven patterns, demonstrating cedar’s adaptability and bringing Indigenous artistry into haute couture as a wearable celebration of cultural identity.

Randi Nelson-Kwúlécwtn Collection - Pesxíxlem

Kwúlécwtn Collection - Pesxíxlem

Dentalium (2024, Dentalium, Shellwork, Beadwork)

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The neckline of this dress is adorned with white dentalium shells, inspired by traditional dentalium capes that have symbolized wealth and status in Indigenous cultures for centuries. Once used as currency and still highly valued today, dentalium shells carry a timeless cultural significance. The color choices of the green dress, paired with coral and pink ribbons, reflect the iridescent hues of abalone shell, with touches of its beauty sewn throughout the dress. The layered look of dentalium is further enhanced by tiered hair ties, earrings, and cuffs, celebrating this material’s elegance and its historic statement of wealth.

Randi Nelson-Kwúlécwtn Collection - Skwelst

Kwúlécwtn Collection - Skwelst

Porcupine Quills (2024, Quillwork on Birch Bark)

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This cream pantsuit blends classic tailoring with four distinct styles of quillwork on birch bark, inspired by the Secwépemc leg cuff pattern. The quills, traditionally used by Indigenous peoples for decoration across generations, were a gift to me, sorted by size and design, then hand-dyed to match the original geometric pattern and colors of the antique beads. The geometric quill patterns adorn the belt, earrings, and fedora band, while the deep plunge neckline is mirrored on the back with two birch bark straps edged in zig-zag trim. The arm cuffs feature sewn quillwork, forming crosses with contrasting black and white tips, and a saw-tooth pattern on birch bark. The cuffs also showcase the quill wrap technique around rawhide, creating contrasting color bands for added texture and depth.

Randi Nelson-Kwúlécwtn Collection - Scwetmín

Kwúlécwtn Collection - Scwetmín

Hide (2024, Leatherwork, Beadwork)

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This form-fitting dress, created entirely from traditional smoked hide, honors the skill and knowledge of Indigenous hide tanners, celebrating the artistry involved in creating this valuable material. The dress’s cutout ombre effect is achieved through 17 hide panels, each representing the diverse tanning practices of Indigenous communities across Turtle Island, showcasing natural color variations influenced by different animals and smoking techniques that bring this material to life. Structured with boning in the front for a defined silhouette, the look is completed by two arm cuffs sewn together from leftover hide in a free-form floral design, symbolizing respect for every part of the material and honoring the enduring legacy of Indigenous hide tanning.

Randi Nelson-Kwúlécwtn Collection - Témen

Kwúlécwtn Collection - Témen

Fur (2024, Ermine Fur, Beadwork)

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This piece features a tight-fitting navy silhouette dress with a cascading wave of fur that moves with the wearer. The outer part of the wave is crafted from brilliant white ermine in their winter coats, an Indigenous marker of wealth, with their black-tipped tails highlighting the wave’s edge. The inner part of the wave showcases the natural brown ermine fur from their summer coats. The contrasting sides of the wave illustrate the ermine’s seasonal coat variations, showcasing their adaptability and beauty. This look also includes large whole ermine earrings and ermine fur arm cuffs. The arm cuffs feature Secwépemc geometric designs beaded using antique steel-cut and white opal glass beads. This ensemble blends art, tradition, and sustainability, reflecting the intricate craftsmanship and cultural significance of fur in Indigenous fashion.

Randi Nelson-KKwúlécwtn Collection - Stwi7

Kwúlécwtn Collection - Stwi7

Fish Leather (2024, Fish Leather, Beadwork)

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This look, designed for my son, incorporates a masculine aesthetic with a vest created from fish leather. I harvested trout and salmon skins with my family from lakes and rivers in the Yukon and British Columbia, tanning them with natural tannins from tea to reveal unique colors and patterns. The fish leather retains the natural shape of each fish, with pieces fitted and stitched together to represent their original forms. The outfit includes a fish leather belt, a woven fish knife sheath designed to hold my grandfather’s harvesting knife—a tribute to the generations of fishing that have supported my family—and two fish leather cuffs patterned with antique steel-cut beads. This piece embodies tradition, family history, and sustainable artistry, bringing the resilience and beauty of fish leather to high fashion.

Randi Nelson-Floral Protection

Floral Protection

(2024, Beadwork, Tufting, Dentalium, Leatherwork)

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Inspired by a Secwépemc elder, Floral Protection is a breastplate that embodies femininity and delicacy while honoring traditional elements. This piece features intricate floral beadwork of AAA gemstones and pearls, with accents of caribou hair tufting, each tuft hand-dyed to perfectly match the gemstones it fills. The breastplate’s backing and twisted fringe are made from traditional smoke-tanned hide, while stacked dentalium shells along the sides evoke a traditional sense of protection. Antique teal milk glass trade beads complete the design, adding a timeless touch. More than just a work of art, Floral Protection serves as a cultural connection, symbolizing protection for both body and spirit.